Engineer Billy HIllman at HillTrax Recording Studio

Exceptional service (including help from experienced professional musicians with arrangement and writing input as well as professional advice on recording and mastering techniques from the Chief Engineer throughout the whole project) and customer satisfaction rank on the same level as affordability. The friendly people at HillTrax understand the needs of today’s musicians and their low overhead approach is geared towards an unparalleled return on your investment. They are able to help you through the whole process including writing, arranging, recording, mixing, mastering and reproduction of your finished project.

HillTrax Studio has recorded, mixed, mastered and released several projects (i.e. Neil Austin Imber, Micah Sims, etc.) and is looking forward to partnering with you on your next artistic endeavor. No matter how big or small your project, you can rest assured that you will get the ‘preferred’ treatment at HillTrax Studio.

Click here for more detailed information (incl. studio gear list).

Sweetgrass Talent is pleased to announce the expansion of our roster with the addition of Cooper Wade, country singer and songwriter. Cooper’s ability to interact with a crowd is a testament to his years of performing in both the classical and popular worlds.

Cooper went to college on a percussion scholarship, earning a Bachelor’s Degree of Music in Percussion with a minor in Piano and Voice. He loves being on stage and is not afraid to incorporate a variety of instruments into his show. His most recent addition is a studio size marimba, which he introduced during a performance of Jimmy Buffet’s smash hit “Margaritaville” at Mo’s Place in Katy, Texas.

Cooper’s shows are high energy and encapsulate music from the more traditional side of country to the Texas music scene to his original compositions. His first-rate band, Unclaimed Freight, is made up of musicians who are capable of playing anything he throws at them, including the occasional rendition of “Twinkle, Twinkle, Little Star” to the delight of his youngest audience members.

Now is your chance to find out! Héctor Agüero, Jr., Music Director for the Fort Bend Symphony Orchestra, has agreed to let one of his conducting batons go to the highest bidder at the group’s upcoming concert and fundraising event on June 7, 2009 at the Stafford Centre. Mayor Leonard Scarcella of Stafford will be the celebrity guest auctioneer.

In addition to taking home the prized baton, the winner will receive a conducting mentoring lesson from Maestro Agüero. This lesson will help prepare the fledgling conductor for their debut as they conduct the “Star Spangled Banner” at the 2009-2010 Fort Bend Symphony Orchestra season opening concert.

Besides the conductor’s baton, there will be many other silent auction items including the chance to sit with Mayor Leonard Scarcella of Stafford in his box for a concert; a signed and game used jersey and bat from Carlos Lee of the Houston Astros; a guided bay and gulf fishing trip for four; and much more! For a complete listing of auction items, visit fbsoauction.blogspot.com

After the frenzy of bidding, sit back and enjoy the music of this country as Maestro Agüero and the Orchestra bring you works from some of the greatest American composers. Featured works will include “Rhapsody in Blue” by George Gershwin, “Fanfare for the Common Man” and “Simple Gifts” from “Appalachian Spring” by Aaron Copland, “First Essay for Orchestra” by Samuel Barber, and “Variations on a Southern Gospel Tune” by Monte Keene Pishny-Floyd.

Ticket prices range from $5 – $25 and may be purchased on the Symphony website or at the Stafford Centre box office on the day of the performance. The Stafford Centre is located at 10505 Cash Road in Stafford. For more information, visit www.fbso.org or call 281.276.9642.

Carlos Chávez (1899-1978) was born in, and died in, Mexico City. No one could have been more thoroughly Mexican; as Dvořák was the quintessential Czech musician, so Chávez was the quintessential Mexican musician. He is the greatest composer yet produced by Mexico, and deserves a place in the first ranks of the world’s composers.

Chávez was a conductor, a pianist, and a teacher. For six years he directed the National Conservatory, where he introduced many important innovations in the teaching of music. He wrote a great deal of music, including 7 symphonies. Sinfonia India (1936) is Symphony No. 2. In 1940, Chávez wrote his monumental Piano Concerto, which is of symphonic scope. The famed American piano virtuoso, the late Eugene List (with whom this writer was privileged to study) performed and recorded this concerto under the guidance of Chávez himself. Mr. List spoke of Chávez as being a vigorous, vital and utterly sincere individual whom he liked very much, a man of passionate beliefs and opinions, and intensely interested in his own Mexican roots and the indigenous culture of Mexico. These qualities could not be better exemplified than by the note Chávez himself provided for his Sinfonia India, which also provides a ready-made insight into what the composer had in mind in creating this exciting work. Here is Chávez’ note in its entirety:

Composer Note:

“The indigenous music of Mexico is a reality of contemporary life. It is not, as might be thought, a relic to satisfy mere curiosity on the part of intellectuals, or to supply more or less important data for ethnography. The indigenous art of Mexico is, in our day, the only living manifestations of the race which makes up approximately four-fifths of the country’s racial stock.

The essential characteristics of this indigenous music have been able to resist four centuries of contact with European musical expressions. That is, while it is certain that contact with European art has produced in Mexico a mestizo (mixed) art in constant evolution, this has not meant the disappearance of pure indigenous art. This fact is an index to its strength.

The force of indigenous art is rooted in a series of essential conditions. It obeys a natural creative impulse of the individual toward an expression at once legitimate and free of affectation. In musical terms, the great expressive strength of indigenous art is rooted in its intrinsic variety, in the freedom and amplitude of its modes, and scales, in the richness of its instrumental and sound elements, and in the simplicity and purity of its instrumental and sound elements, and in the simplicity and purity of its melodies.

There is never, in this music, a morbid or degenerate feeling, never a negative attitude toward other men or nature as a whole. The music of America ’s immediate ancestors is the strong music of a man who constantly struggles and tries to dominate his surroundings. Imported manifestations opposed to the feeling of the music have been unable to destroy it because they have not succeeded in changing the ethical conditions of individuals.”

– Carlos Chávez

To purchase a set of the complete symphonies of Carlos Chávez, click link below:

Carlos Chávez: The Complete Symphonies

For a score and full set of parts, check this out:

More works by Carlos Chávez:

Three Poems For Medium/Low Voice and Piano. By Carlos Chavez. Vocal Collection. 24 pages. Published by G. Schirmer, Inc. (50485218) See more info…

Toccata By Carlos Chavez. For Percussion Ensemble. Percussion – Ensemble. Percussion Ensemble Series. Level: Intermediate Plus (grade 5). Book. 76 pages. Published by Alfred Publishing. (88801X) See more info…

Tree of Sorrow (Arboluco, Te Sequeste) – for Four Part Mixed Chorus SATB. By Carlos Chavez. Arranged by Carlos Chavez. SATB chorus and keyboard. For SATB, Piano Rehearsal. Contemporary Choral Series. Choral. Choral Part(s). 6 pages. Published by Theodore Presser Company. (352001130) See more info…

Chapultepec: Marcha Provinciana [composer's transcription] By Chavez, Carlos (1899-1978) [Codina, Genaro (1851-1901)]. For concert band. Level: Grade 3. Full score. Composed 1933. Duration 3 minutes. Published by Kalmus (Reprint source: Belwin-Mills). (B3591-FSC) See more info…

Partita for Solo Timpani (Percussion / Timpani) By Carlos Chavez. This edition: ED3356. Percussion. 16 pages. Published by G. Schirmer, Inc. (50336150) See more info…