Engineer Billy HIllman at HillTrax Recording Studio

Exceptional service (including help from experienced professional musicians with arrangement and writing input as well as professional advice on recording and mastering techniques from the Chief Engineer throughout the whole project) and customer satisfaction rank on the same level as affordability. The friendly people at HillTrax understand the needs of today’s musicians and their low overhead approach is geared towards an unparalleled return on your investment. They are able to help you through the whole process including writing, arranging, recording, mixing, mastering and reproduction of your finished project.

HillTrax Studio has recorded, mixed, mastered and released several projects (i.e. Neil Austin Imber, Micah Sims, etc.) and is looking forward to partnering with you on your next artistic endeavor. No matter how big or small your project, you can rest assured that you will get the ‘preferred’ treatment at HillTrax Studio.

Click here for more detailed information (incl. studio gear list).

Saddle Up Concert Poster

Story courtesy of Nancy Mills of The Mills Agency:

What’s a cowboy concert without a real-life, genuine cowboy? The Fort Bend Symphony Orchestra has thought of everything.

Although he won’t ride in on his horse, Todd Fritsch, a cattle-ranching cowboy and chart-topping country music singer-songwriter will perform at the Orchestra’s February 21 “Saddle Up” cowboy concert scheduled for 2 p.m. at the Stafford Centre. Also taking the stage is fellow Nashville recording artist Dixie Trahan.

Fritsch took his “Texas Talkin’” single to the top of the HotDisc charts in 2008 after finishing #1 on the same chart in 2007 with his fan favorite ballad “First Date For The Last Time.” Both songs are on his “Sawdust” CD. A popular performer at The Hideout at the Houston Livestock Show and Rodeo™, Fritsch has opened for notables like Lee Ann Womack, Joe Nichols, Marty Stuart and Ronnie Milsap. He has also performed at the CMA Music Festival.

Although Fritsch is a relative newcomer to the country music scene, he’s an old hand when it comes to being a cowboy. Born and raised on his family’s ranch in Willow Springs, Texas, this down-to-earth, self-labeled “country-to-the-bone” cowboy is as comfortable riding and roping as he is in delivering his strong baritonelyrics under the big lights.

“I don’t ever want to leave ranchin’ behind,” says Fritsch. “It’s who I am; it’s what keeps me real and in touch. But I want the music, too. I’ve made some real good friends in Nashville who believe in me and the music that I make….five years from now I want to be playin’ in front of 50,000 people and be #1 on Billboard’s Country Chart.”

This marks the second time that Todd Fritsch and the Fort Bend Symphony Orchestra have teamed up for an event and everybody involved seems very exciting about the upcoming re-union. Todd and his band will perform some of his fan favorites and a brand new song that will more than likely become his first single release of his upcoming new album.

“Returning to work with my friends of the Fort Bend Symphony Orchestra is a real treat; we’ve had so much fun the first time around that I immediately jumped at the opportunity to do this again. Playing again at the Stafford Centre is also exciting as we had opened for Ronnie Milsap in 2007 at this outstanding venue. It just sounds so good ….” says Todd. “It will be the perfect kick-off for our Houston Rodeo season this year.”

Dixie Trahan (www.dixietrahan.com) has been singing for as long as she can remember. Growing up as a “preacher’s kid,” she was surrounded by talented musicians both inside and outside her family. When her dad decided to evangelize through music, she spent a year performing in Branson, Missouri with her family. At age 17, Trahan went solo and has traveled from Texas to Canada sharing her music with fans.

“Country music has just always been a constant for me,” says Trahan. “Something about a great country song…you just can’t help but sing along! ….This will be an awesome event ….. I have been to multiple events of the FBSO in the past and always wanted to work with them, now I get a chance to do just that and I am also looking forward to working with Todd…”, says Dixie during a recent interview.

In 2006, Trahan traveled to Nashville to record her self-titled debut album – a charming, yet polished collection of songs that showcase her vocal prowess. Most often compared vocally to Alison Krauss, Trahan has been carving out her own niche in the Texas music scene. She was one of six finalists in the 2009 Houston Press Music Awards “Country” category.

The backup band for both artists will be made up of professional musicians Billy Hillman (guitar), Joe DeLeon (drums & percussion), Kenneth Trahan (acoustic guitar, piano & harmony vocals) and Robert DiBlanco (electric bass, upright bass & harmony vocals). Sound Engineer Tim Weaver will ensure high fidelity sound quality throughout the performance.

Both artist’s current CD’s will be available for purchase during intermission and during Meet’n'Greet in the lobby after the concert.

In addition to songs by Fritsch and Trahan, FBSO’s February 21 “Saddle Up” cowboy concert features fun TV and movie songs that evoke the old West and give a nod to the cowboy culture. Tickets are $5 to $25 each and children 12 and under are free. Advance tickets may be purchased at www.fbso.org or by calling 281.276.9642. The Stafford Centre is located at 10505 Cash Rd in Stafford.

****
When: February 21, 2010 at 02:00pm
Where: Stafford Centre, 10505 Cash Rd, Stafford TX
Tickets are $5 to $25 each and children 12 and under are free

For more information, please visit:
Fort Bend Symphony Orchestra – Web, Facebook
Todd Fritsch – Web, Facebook, MySpace
Dixie Trahan – Web, Facebook, MySpace

Besides a great selection of Todd’s past hits and cover songs, they will also be doing Todd’s brand new songs, an exciting selection of music recently recorded by Todd in Nashville. “Calls I Haven’t Made” and “In A Song” are ballads, “Love Never Goes Out Of Style” is a honky-tonk tune, and “My Kinda Crowd” is an up-tempo barn burner. (Make sure you vote for your favorite by clicking here!)

Get your Thanksgiving holiday started out right with a great night of dancing and music at Sengelmann Hall! Tickets are $10 and are available ahead of time by visiting the Sengelmann Hall website.

Date: Wednesday, November 25, 2009
Time: 9:00pm – 10:45pm
Location: Sengelmann Hall
Address: 531 North Main Street, Schulenburg, TX

To book Todd for your own special event, just contact us. We’ll be happy to provide you with more information.

“Calls I Haven’t Made” and “In A Song” are ballads that bring out the best in Todd’s voice and suit his vocal style very well. “Love Never Goes Out Of Style” is a honky-tonk tune that can compete with the best of them and “My Kinda Crowd” is an up-tempo barn burner guaranteed to be well received by Todd’s fans.

This selection of songs represents some of the new material Todd and his team of industry veterans have been working on during his recent visits to Nashville and are expected to be included on his forthcoming album release in 2010.

Besides her classical work, Frances also enjoys jazz, having performed around the United States at the University of North Texas Jazz Festival, Wichita Jazz Festival, Notre Dame Jazz Festival, and the Festival of the States in Washington, D.C. In addition, Frances performed with the Borealis Brass in Rome, Italy, as part of the Fondazione Adkins Chiti: Donne in Musica. She has achieved success as a private instructor, master class clinician, and performer. In addition to her solo and small ensemble work, Frances is a member of the Fort Bend Symphony Orchestra. She performs regularly in and around the Greater Houston area.

For a special touch at your next event, why not call on Frances and her trumpet? You’ll be glad you did!

Cooper went to college on a percussion scholarship, earning a Bachelor’s Degree of Music in Percussion with a minor in Piano and Voice. He loves being on stage and is not afraid to incorporate a variety of instruments into his show. His most recent addition is a studio size marimba, which he introduced during a performance of Jimmy Buffet’s smash hit “Margaritaville” at Mo’s Place in Katy, Texas.

Cooper’s shows are high energy and encapsulate music from the more traditional side of country to the Texas music scene to his original compositions. His first-rate band, Unclaimed Freight, is made up of musicians who are capable of playing anything he throws at them, including the occasional rendition of “Twinkle, Twinkle, Little Star” to the delight of his youngest audience members.

One thing most people will agree on is the fact that well written lyrics play a huge part in the success of a song. A great melody and hook-line (a melodic “chunk” that is repeated throughout the whole song) are certainly considered key ingredients to a successful song on the pop charts. But at the end of the day the phenomenon known as ‘the groove’ will ultimately decide the fate of most popular songs (just ask any bass player or drummer).

Wikipedia defines groove as “… is the sense of propulsive rhythmic “feel” or sense of “swing” created by the interaction of the music played by a band’s rhythm section (drums, electric bass or double bass, guitar, and keyboards). The term is mainly used in the context of genres outside of Western art music, such as funk, rock music, power groove, fusion, and soul.

While some musicians have called the concept of “groove” a subjective and elusive notion, they acknowledge that the concept is well-understood by experienced musicians at a practical, intuitive level. Funk and Latin musicians refer to “groove” as the sense of being “in the pocket”, and jazz players refer to groove as the sense that a jam session is really “cooking” or “swinging.”

Musicologists and other scholars began to analyse the concept of “groove” in the 1990s. They have argued that a “groove” is an “understanding of rhythmic patterning” or “feel” and “an intuitive sense” of “a cycle in motion” that emerges from “carefully aligned concurrent rhythmic patterns” that sets in motion dancing or foot-tapping on the part of listeners. “ (Copyright by Wikipedia / excerpt from Wikipedia.com)

Although groove is very hard to explain, it is fairly easy to ‘feel’ whenever a band’s rhythm section is in it. A groove happens when the drummer and bass player , along with the rhythm guitar player and keyboard player (being the other two pieces of a typical popular band’s rhythm section) fall into rhythmic patterns that add up to one ‘undeniable feel’ that will make most audiences want to move (i.e. dance, snap their fingers, bop their heads, etc.).  Although groove has been described as something individuals feel differently, the effect of a solid groove can be experienced when watching the audience’s reaction and movements at any good band’s performance.

Consider this: when you get closer to the stage of any open-air venue, what is the first thing that captures your attention? From a distance it is usually hard for anybody to make out the vocals or intricate facets of the lead players’ lines, but you will be able to hear the drums and bass hopefully creating the ‘groove’ that will draw your attention to the music. Coincidence? I don’t think so

A good groove can make the difference between between a hit record and a regular song – just look at the liner notes in your record collection and you will find out that there are certain rhythm sections that could be considered ‘hit machines’ because of their undeniable grooves: in country music you can make the case for drummer Eddie Bayers Jr. and bassist Michael Rhodes being the No.1 team; reggae music featured Robbie Shakespeare and Sly Dunbar as their predominant groove machine; Motown music was heavily influenced by geniuses such as James Jamerson and Uriel Jones (The Funk Brothers); the Beatles were certainly blessed with the exceptional talents of bassist Paul McCartney and drummer Ringo Starr; rock music owes a lot to groove masters such as Led Zeppelin drummer John Bonham or Toto’s Jeff Porcaro; popular music was heavily influenced by rhythm sections like Sting and Stewart Copeland; the Muscle Shoals Rhythm section has achieved worldwide recognition for their outstanding work – case in point, an awful lot of a song’s potential to be a hit is related to its potential to ‘groove’ or ’swing’ and record producers all over the world have been paying close attention to this fact throughout the history of popular music.

The next time you listen to your favorite music, try to pay some attention to the rhythm section work to ‘detect’ the groove – it is a lot of fun and might give you a whole new appreciation for your favorite artist’s work.

Until next time, keep groovin’ -
Robert DiBlanco

Hector Aguero, Jr., Music Director - Fort Bend Symphony Orchestra

Auditions for the 2009-2010 Season are scheduled for August 22, 2009, from 8:30 a.m. – 2:00 p.m. To schedule an appointment time, please send an e-mail to Griff Miller II, the Director of Auditions, at audition@fbso.org or call 281-276-9642.

Immediate openings for non-paid vacant positions include:

* All String Sections (Violin, Viola, Cello, and Double Bass)
* Principal Harp

Rehearsals are held every Tuesday evening at the First United Methodist Church , 3900 Lexington Boulevard , Missouri City , unless otherwise noted. Regular concert season performances are held at the Stafford Performing Arts Centre, with additional performances at Sugar Land Town Square and First United Methodist Church – Missouri City .

To learn more about the Fort Bend Symphony Orchestra or to schedule an audition at any other time, please send an e-mail to the Director of Auditions at audition@fbso.org or call 281-276-9642.

Growing up surrounded by top-notch musicians, Dixie and her family traveled around the United States and Canada, sharing their music with fans from coast to coast. They had a show in Branson, Missouri for a year, and Dixie was featured on several record albums, becoming a seasoned music industry veteran by the age of twenty.

In 2006, Dixie traveled to Nashville to record her self-titled debut album – a charming, yet polished collection of songs that showcase her vocal prowess. Most often compared vocally to Alison Krauss, Dixie has been carving out her own niche in the Texas music scene. She has been interviewed most recently for the Houston Chronicle and OnlyKaty. Besides her amazing voice, Dixie’s friendly, girl-next-door personality captivates everyone she meets.

When asked what her future holds, Dixie replies: “I’d love to have a mega-hit someday, who wouldn’t? But as long as I’m able to do what I love and love what I do, I’m a happy girl!”

To hear samples of Dixie’s music, please click here.

To book Dixie, please visit our contact us page.

To vote for Dixie in the Houston Press Music Awards, please click here.

Danielle has a degree in classical vocal performance from the University of Florida. This training shows in her performance technique – her phrasing, intonation, and enunciation are impeccable. She has worked with some of the finest jazz musicians in Houston, honing and perfecting her skills as she goes along. She is frequently described as having the “authentic sound of a 1930s and 40s era singer.”

Her songs include favorites made famous by Leonard Cohen (such as “Hallelujah” featuring Danielle with Erin Wright, guitar and Thomas Helton, bass), Hank Williams, Bob Dylan, and other American popular artists. She also loves French music and has incorporated songs by Jacques Brel and Edith Piaf to her set lists, in addition to a smattering of Spanish and Italian songs.

Danielle appears regularly at venues such as the King Biscuit Patio Cafe, Vintropolis Wine Bar, The Tasting Room Uptown Park, and Ouisie’s Table. Her group performs at other venues as well, including community events such as the First Saturday Arts Market. She was one of several Houston musicians featured on the Deborah Duncan show in August of 2008.

To read more about Danielle, please visit her artist page.